The point of the film is to present Pawan Kalyan as wonderfully as possible. Mission accomplished! And there are some good set pieces. But the rest of the […]
In terms of story, the film is a traditional hero-versus-villain narrative. But the screenplay detours, the suspense about what Mirai is, along with the genuine, child-like sense of
The cleanly written film is about a Chosen One. It is also a story about brothers, and a spy thriller. But these various strands don’t merge satisfactorily. The
The film takes a long time to find its feet. But once the real story gets going, there’s a fable-like Amar Chitra Katha feel that works well. The
The story is about an evil, rich man who recruits a beggar for a job, and the film wants to be a fable with a moral about haves
The earlier HIT films surprised us with twisted investigation stories that hinged on one perpetrator, but the third movie takes it further with a gleeful amount of gore.
This story of a cricketer stars Madhavan, Siddharth, Nayanthara, and Meera Jasmine. Their characters are all entangled in serious problems, but everything stays at a distance. The rest
The story is about the misuse of the legal system, and it works because of the love story at the centre and the sturdy nature of the courtroom
The actors are good together, but the screenplay keeps playing spoilsport. What could have been a deeply resonant romance ends up being a shallow test of your patience.The
The film does not have a single highlight, and the big budget does not translate into an interesting story or involving characters. The rest of this review contains
Once the Fahadh character moves out to make way for a new set of villains, the film’s energy drops. The last hour appears interminable. The new villains are
On the one hand, we seem to have a “mainstream” entertainer. At the other end of the spectrum, we have something out of sci-fi. The fun of watching
