Rahul Sankrityan’s ‘Ranabaali’ is an ambitious period saga that’s better with technical achievements than emotional impact
In pre-Independence India, the British want to export grain to their motherland....
Nelson’s ‘Jailer 2’ is an improvement over the first part, and a redefinition of commercial screenwriting as a form of scrolling
After killing his son at the end of ‘Jailer’, ‘Tiger’ Muthuvel Pandian...
Manoj Kumar’s ‘Premada Oorali’ is the ‘Vaazha 2’ or ‘Hanuman Ansh’ of Kannada cinema, a mini-budget film that’s become a mega-blockbuster
Rangayana Raghu plays a farmer named Naganna. When his wife dies, he...
Thamby’s ‘Avaraachan & Sons’ is proof that good actors playing likeable characters is sometimes all you need
Biju Menon plays Avaraachan. He’s a man who likes his drink, and...
Shashank Yeleti’s ‘Don’t Trouble The Trouble’ is a sweet watch that could have used more excitement and wonder
Fahadh Faasil’s first Telugu film as the lead actor finds him in...
R Kaarthikeyan’s ‘Anbil Avan’ is an ultra-generic love story and a slightly better action movie
Ashok Selvan and Preity Mukhundhan play Surya and Iyal, a couple slogging...
Trending Reviews
Rahul Sankrityan’s ‘Ranabaali’ is an ambitious period saga that’s better with technical achievements than emotional impact
Nelson’s ‘Jailer 2’ is an improvement over the first part, and a redefinition of commercial screenwriting as a form of scrolling
Manoj Kumar’s ‘Premada Oorali’ is the ‘Vaazha 2’ or ‘Hanuman Ansh’ of Kannada cinema, a mini-budget film that’s become a mega-blockbuster
Thamby’s ‘Avaraachan & Sons’ is proof that good actors playing likeable characters is sometimes all you need
Shashank Yeleti’s ‘Don’t Trouble The Trouble’ is a sweet watch that could have used more excitement and wonder
R Kaarthikeyan’s ‘Anbil Avan’ is an ultra-generic love story and a slightly better action movie
Jason Sanjay’s ‘Sigma’ looks like it wants to be a retro thriller, but it’s just a bunch of ideas that never really come together
Balaji Tharaneetharan’s ‘Baththa’ is a wholesome, heartwarming, and often funny story about men and their fears
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The Galatta Plus Archives
R Ravikumar’s ‘Ayalaan’ is too generic to make an impact, but it is a harmless watch
Arun Matheswaran’s ‘Captain Miller’ has interesting ideas, but the film remains an emotionally aloof series of cool shots
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MS Raaja’s ‘Sevappi’, on Aha OTT, is a multi-character village drama whose “moments” keep us interested, invested
Siddharth Anand’s ‘Fighter’ takes a generic action template and makes it immensely watchable
