Thenpathiyan’s ‘Angikaaram’ is a courtroom drama with good intentions, but it needed better writing and filmmaking to make an impact
Aathiran Banumathi is an ace athlete from an oppressed background. He sets...
Homi Adajania’s ‘Cocktail 2’ wants to be an edgy take on relationships but ends up being silly
Shahid Kapoor and Rashmika Mandanna have been a couple for such a...
BV Nandini Reddy’s ‘Maa Inti Bangaaram’ could have used more highs, but it’s still a solid star vehicle
If our heroes can have generically entertaining action entertainers, why not our...
Sasi’s ‘Nooru Saami’ is a superficial, overly melodramatic story that talks about widow remarriage
Swasika plays a widow in her forties, and her two grown-up sons...
Varsha Vasudev’s ‘Chinna Chinna Aasai’ is a quiet, moving drama about two strangers in Banaras
Indrans and Madhoo play a Malayali and a Tamilian who meet in...
Manoj Tapadia’s ‘Bharat Bhhagya Viddhaata’ is a moving, well-crafted tribute to the heroines of 26/11
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Trending Reviews
Thenpathiyan’s ‘Angikaaram’ is a courtroom drama with good intentions, but it needed better writing and filmmaking to make an impact
Homi Adajania’s ‘Cocktail 2’ wants to be an edgy take on relationships but ends up being silly
BV Nandini Reddy’s ‘Maa Inti Bangaaram’ could have used more highs, but it’s still a solid star vehicle
Chidambaram’s ‘Balan: The Boy’ is a beautifully f*cked-up fairy tale and the director’s finest film yet
Sasi’s ‘Nooru Saami’ is a superficial, overly melodramatic story that talks about widow remarriage
Varsha Vasudev’s ‘Chinna Chinna Aasai’ is a quiet, moving drama about two strangers in Banaras
Manoj Tapadia’s ‘Bharat Bhhagya Viddhaata’ is a moving, well-crafted tribute to the heroines of 26/11
Singeetham Srinivasa Rao’s ‘Sing Geetham’ is a sweet, joyous, inventive eco-musical
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The Galatta Plus Archives
R Ravikumar’s ‘Ayalaan’ is too generic to make an impact, but it is a harmless watch
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